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A student-made documentary that takes a look at the lives of food truck owners and their customers will premiere on Friday, February 15 at 11:30 a.m. on TUTV. Watch it on Comcast channel 50, Verizon channel 45 or online at templetv.net/watch-live.
The documentary asks the employees what motivates them to stay in the food truck industry and explores the interior of the trucks and how the food is made. The film features many famous Temple food trucks, including The Creperie and Ray’s.
This film was produced as a part of the Department of Media Studies and Production (MSP) Producing and Directing and Graduate TV Production courses taught by Professor Kristine Trever Weatherston by students Karen Fisher, Christa Phillippeaux, Kerrin Simmons, and Jessica Sudue.
A student-made documentary featuring differing viewpoints on euthanasia and the legal and moral questions surrounding this controversial issue can now be seen online at TempleTV.net here.
Give Me Liberty at My Death provides an in depth look on this rising issue facing our country. In 1994, the state of Oregon passed the Death with Dignity Act which made physician-assisted suicide legal for the first time, ultimately allowing patients to determine the time of their death. The state of Pennsylvania is currently attempting to follow suit, which has stirred up controversy and mixed feelings. This documentary focuses on several different perspectives on the topic, including those who are dealing with the choice of life or death themselves. The goal of the film to educate Pennsylvanians about the proposed law.
The documentary was developed by FemmeFatale Productions, a production company run by Temple students Daniela Acosta, Shaniece Cole, Victoria Miniscalco, and Steffany Ramos. This is their first documentary, which was produced as a part of the Department of Media Studies and Production (MSP) Producing and Directing and Graduate TV Production courses taught by Professor Kristine Trever Weatherston.

Apocalypse Never is the pilot episode for a new series written, directed and produced by Temple students Anna Cowdery, Xin Jiang, and Mariana Zimmerman. Featuring actors Aldo Maffei, Ginger Fries, Brookelyn Rose, Gabriel Caste and Vincent Concordia as a family in a fragile state and Greg Hilbert as a newscaster who reports that the world will end in one day, Apocalypse Never takes on its dramatic premise with an intense introspective look at its characters, culminating in a surprise ending. It premiered on Temple TV on Saturday, January 26 and can now be seen online here.
The pilot was developed as a part of the Department of Media Studies and Production (MSP) Producing and Directing and Graduate TV Production courses taught by Professor Kristine Trever Weatherston.

Quarter Life Crisis follows the semester-long journey of eight 20-somethings charged with the task of teaching their professor-less course in the face of their individual stresses and emerging self-discoveries. It premiered on Temple TV on Thursday, January 17 at 1 p.m. and again at 9 p.m. and is now available to watch online here.
QLC was written, directed and produced by Temple University students Lauren Pokedoff and Michael Busza. The “dramedy” stars Lisa Diehl, Guy Mandia, Lauren Williams, Kyle Psulkowski, Lauren McDowell, Nomi Leasure, Rend Alsaadi, Abdul Sesay, Evan Raines, and Heather Polchin who, while struggling with their own personal quarter life crisis, manage to teach one another about the value of friendship, love, loyalty, and acceptance. It all starts when they are forced to take on the role of “teacher” when their professor is a no-show. Sometimes, they discover, the best education waits outside a traditional classroom.
The project was funded in part by TUTV/The Kal & Lucille Rudman Media Production Center/The Rudman Foundation, Walter & Leonore Annenberg of the Annenberg Foundation and H.F. & Marguerite Lenfest through the Lew Klein Excellence in Media Scholarship, awarded by the Temple University School of Communications & Theater in honor of Lew Klein.
Learn more at QLCPhilly.com and Facebook.com/QLCPhilly.
Smile is the pilot episode for a new series written, directed and produced by Temple students Jonah Cooper, Saba Aragai, Kevin Manley and David Schneider. The program was developed as a part of the Department of Media Studies and Production (MSP) Producing and Directing and Graduate TV Production courses taught by Professor Kristine Trever Weatherston. This dark comedy follows Nathan, a down on his luck guy who becomes involved with a bizarre group that believe in an all-powerful “Smile”.
Smile is now available to watch online here!
Temple TV will be presenting special programming from December 22-25 to celebrate the holidays. In addition, a 4-hour block of classic Sherlock Holmes movies will air on New Year’s Day to herald in 2013. Check out the schedules below to see all of our holiday-related programming:
Christmas Programming
| Program | Day | Time |
| Once Upon a Christmas Cheery in the Lab of Shakhashiri 1 |
Sat. 22 | 12:30p, 8:30p |
| Temple Update: 2012 Holiday Show | Sun. 23 | 10a, 6p |
| A Christmas Carol: Vincent Price | Sun. 23 | 12:30p, 8:30p |
| Once Upon a Christmas Cheery in the Lab of Shakhashiri 2 |
Sun. 23 | 1p, 9p |
| Life with Father | Sun. 23 | 2p, 10p |
| Style City Music: Holiday Show | Sun. 23 | 4:30p, 12:30a |
| WCAU: Once Upon A Holiday | Sun. 23 | 5p, 1a |
| Tales of Dickens: Christmas Carol | Mon. 24 | 10a, 6p |
| Jack Benny Christmas Show | Mon. 24 | 10:30a, 6:30p |
| Christmas Cartoons | Mon. 24 | 11a, 7p |
| March of The Wooden Soldiers | Mon. 24 | 12p, 8p |
| Scrooge | Mon. 24 | 1:30p, 9:30p |
| A Christmas Wish | Mon. 24 | 3p, 11p |
| Style City Music: Holiday Show | Mon. 24 | 4:30p, 12:30a |
| Baby Blue Arts Holiday Songs | Mon. 24 | 5p, 1a |
| Holiday Yule Log | Mon. 24 | 5:30p, 1:30a |
| Home and Hearth Crane Candlelight Concert | Tues. 25 | 10a, 6p |
| Little Lord Fauntleroy | Tues. 25 | 11a, 7p |
| Angel On My Shoulder | Tues. 25 | 1p, 9p |
| March of The Wooden Soldiers | Tues. 25 | 4:30p, 12:30a |
New Year’s Programming
| Program | Day | Time |
| Sherlock Holmes: The Secret Weapon | Tues. 1 | 12:30p, 8:30p |
| Sherlock Holmes: Women In Green | Tues. 1 | 2p, 10p |
| Sherlock Holmes: Terror By Night | Tues. 1 | 3:30p, 11:30p |
| Sherlock Holmes: Dressed to Kill | Tues. 1 | 4:30p, 12:30a |
Temple Smash premieres their fourth season on TUTV with a memorial episode for the late Jonathan Schifferdecker, a performer and head writer for Smash who passed away a week before the Fall 2012 semester began. Director Rita Kraynak says “Every sketch that was in this episode was either written by Jon [during] the summer before he passed away, or it was inspired by Jon or friends who knew Jon,” and that “every single piece was inspired by Jon.”
This episode also features one-man acoustic band, Ziggy Gamble, under the name Hills Like White Elephants.
Watch the whole episode online on TUTV here, along with a compilation video of sketches written or starring Jon Schifferdecker.
NOTE: Submissions are closed. Be sure to watch the selected students when Before I Graduate… airs in the spring.
Temple University Television is teaming up with PRowl to give Temple students the chance to realize their dreams on television. We collected submissions and selected 5 students who want to share their undergraduate dreams on TUTV’s newest special, Before I Graduate… (BIG). Winners will have their pictures featured via a photo stream on TempleTV.net and on air during the spring semester.
TUTV is excited to kick off Bell Tower Record Rundown, a new series featuring music videos, live music performances, and other highlights from the local music community. Bell Tower Music is a non-profit record label run by Temple students through which artists are promoted and managed free of charge in exchange for their music being placed on iTunes U and the Bell Tower Music website.
The series premiere will air on Monday Dec. 3 at 12:30 p.m. It will be aired alongside The Essential Songs of Philadelphia, a show on songs recorded in Philadelphia or written and performed by Philadelphians, and High Kick and David Aime, a compilation of musical performances by Temple alumni, to round off the TUTV Music Hour on Monday afternoon. Watch on Comcast channel 50, Verizon 45 or online.
Film Versus Film is a lively, humorous and passionate discussion series centering on popular cinema. The show’s panel is made up of filmmakers, professors, film critics and film scholars. The panel’s discussions emerge from tongue-in-cheek, pop culture-oriented “categories” like Best Twist Ending Of All Time, Film Failure that Should Have Spawned a Great Franchise, Most Unpleasant Christmas Movie, and Hammiest Performance Ever by a Film Actor. The show has been airing on TUTV every Friday at 12:30 p.m. and you can watch ten episodes online on TempleTV.net.
The series has been shot in Philadelphia, and features professor Dustin Morrow, professor and film scholar Chris Cagle, media activist and documentarian David Cooper Moore, and journalist and film critic Matt Prigge.
This year, celebrate Thanksgiving by watching classic movies from the Golden Age of Hollywood on TUTV. Airing on Comcast channel 50, Verizon 45 and online, TUTV will be airing special programming starting at 12:30 p.m. on Thursday, November 22.
In between waiting for the pumpkin pie to finish baking and putting in the turkey, catch The March of the Wooden Soldiers (also known as Babes in Toyland), a lavish Laurel and Hardy feature about an enchanted fantasy world inhabited by two hapless toy makers. Then, don’t miss Father’s Little Dividend, a 1951 comedy and sequel to Father of the Bride, starring Spencer Tracy, Joan Bennett, and a young Elizabeth Taylor. Rounding out our marathon is My Dear Secretary, a 1948 film starring Kirk Douglas as a bestselling novelist and playboy who tries to change his philandering ways after he woos and marries his latest of many secretaries.
We caught up with Temple University Media Studies & Production graduate student Gino Canella to learn more about the documentary he shot while studying abroad in England in the summer of 2012. The British Pub, Inc. is a beautifully shot film featuring several interviews with pub enthusiasts and workers who paint a picture of the past and present of the pub industry. At once informative and intimate, Canella’s film captures the undying enthusiasm of British pub-goers even as times change and the economy fluctuates. It was presented at this year’s Global Temple Conference on Nov. 14 and airs on TUTV on Friday, Nov. 16.
Why did you make this documentary? What drew you to this subject and what made you want to put it on film?
After working in television news for eight years, I always said I wanted to produce a documentary. I think it’s an incredibly powerful genre that allows you to tell personal stories that speak to larger social issues. I knew a little about the British pub, but my understanding was more superficial–fish and chips and a couple of pints. After shooting this documentary, I have a more well-rounded view of what the pub means as a cultural institution to the people in the UK. At first, I didn’t know exactly how I was going to focus this piece, but knew the pub would be the foundation for the story because it’s a fantastic way to get to know the people. It wasn’t until I started shooting and interviewing pub customers and consumer groups that I narrowed down the issue of pub ownership and management structures.
What do you personally think are the main differences between bar/pub culture in America and the UK?
Pub culture in the UK is a social experience that is centered on community. Yes, there is drinking, but the focus is on people, meeting your neighbors, relaxing and having a conversation. A traditional British pub won’t have music or TVs, so you’re forced to talk with the person next to you. I do think there are great neighborhood bars in America–and especially in Philadelphia–that offer the same kind of friendly environment. British pub customers and bartenders are probably more likely to chat up a stranger, while it may take time to get to know the local bartender in an American bar.
Did you learn anything or meet anyone especially fascinating along the way?
I learned a lot of great things, not only about pub culture and British ales, but also about London that I don’t think I would have otherwise. I think the most interesting thing I learned was at the Great British Beer Festival when I heard the history of public houses in the UK. Geoff, the tour guide at Fuller’s, was a wealth of information and really added a unique voice to the documentary. I’m always so grateful to people who share their personal stories with me on camera, but Nick Roger was especially friendly and critical to the production of the documentary. A former colleague at ABC News introduced me to Nick. He was so nice, picked me up at the train station in Berkhamstead, and proceeded to drive me around town and take me to a small village pub. I’m forever grateful for his help.
There are many characters in this film; was there anyone in particular you liked the best?
Besides Nick and Geoff, Dave Clark has to be the most memorable character. He was extremely candid about sharing his business experience as a pub manager and I think his perspective was so valuable for the story I was trying to tell. The big chain pubs are making it so difficult for independent, village pubs like The Windmill to survive. Dave expressed the sentiment of probably a lot of pub managers perfectly.
What were your favorite beers that you tried in the UK?
British ales are definitely an acquired taste. They are not carbonated and served at room temperature. Drinking “flat”, warm beer is not like anything you would drink at an American bar. I tried to sample a lot of different beers so I don’t know if I have a favorite. British pub customers call unique beers and sampling a “tick”, because if you try something you’ve never seen, you “tick” it off your list. ESB from Fuller’s was pretty good if I had to pick one, though.
What connection would you say does this film to what you’re studying at Temple University?
I don’t know if there is a connection with Temple University, but I definitely see parallels between pub ownership/management and my graduate studies. I enjoy finding “theory in practice”–relevant issues in society that speak to what I’m learning in class. In my Media Institutions course for example, we talk a lot about media corporations, the consolidation of media firms and what implications these business structures have for consumers. This is clearly playing itself out in the UK’s pub industry. Financial tough times 3-4 years ago forced a lot of pubs to close or sell out to chains. This means less choice for the consumers and less quality and diversity in the pub market. I don’t want to give the impression that all pubs in the UK look like Starbucks because great pubs are everywhere in London, but the standardization of an industry should be something consumers are more aware of.
What do you prefer in a bar?
I say it’s not where you are but who you’re with that really matters. Whether it’s a dive bar, neighborhood pub with a great selection of craft beers, or a wine bar, I’m happy as long as I’m having drinks with good-time friends.
TUTV will now be airing “Miss Carmen San Diego,” a music video shot by Jake Rasmussen, writer and co-creator of The Grog Show, in one take, featuring Sebastian Ade, who wrote the song. Read the interview below to learn more about how it was made.
Which class was this for?
Jake: It was for Moving Camera, a film course where we learn different techniques of shooting, such as using Steadicam rigs, Dollies and other rigs. It was an assignment called “Long Take”, where we had to create a shot that had no cuts in it, and was continuous. This worked for the project, since it was a steady 20-minute shot from beginning to end.
Tell me about how you shot the video.
Jake: It took a lot preparation. I slowed down the song so instead of being 2 minutes, it was 20 minutes. I used the Pro Tools session that I recorded him in, stripped out the guitar so it was only his voice, and then added in cues for him to bounce off of while filming. Then, I gave him this 20-minute version one week before filming, so he could rehearse. I put the long version on two iPods for shooting day. I used my HDV camcorder and a Steadicam from class to film this. We took a taxi down to Boathouse Row on Kelly Drive. I gave him one of the iPods, and then behind the camera I have ear buds in my ears too. We listened to the same 20 min track, and in the beginning of the music video you hear me saying the tracks are in sync. Finally, I set up the frame, and just tracked backwards while he walked normally, yet sang very slowly with the slowed song.
How many takes did you have to do?
Jake: We only did one take. While filming, I was listening closely to my iPod to make sure he was staying in sync, and since I didn’t see any errors, I said, “Alright, it’s cold. That was perfect. Let’s go home!”
How did you get it to sync up correctly?
Jake: This was tricky. Though the more I thought about it, the more it made sense to me. Since I slowed the song down from 100% (normal speed) to 10% (slow speed), the ratio was 10:1. Therefore, if I wanted to flip it around and make what was filmed fast and what was slow to appear normal, the speed would need to be multiplied by 10. After importing the 20-minute footage, I sped up the speed at 100% (normal speed) to 1000% (fast speed), and it worked perfectly. I practiced before filming just to make sure all of this would work.
When did you write/record the track in the video?
Sebastian: I wrote the song spring semester of my freshman year, and we recorded it the same semester. A friend of mine, Michael Johnson, actually accompanied me in the recording. He is an awesome guitarist!
What is the significance behind the song?
Sebastian: My main inspiration for all the songs I write are my friends and the stories I hear. I don’t have that many stories about love, but there is a lot to be said about the picture I paint about heartbreak and being in love. My songs are about what goes on in my head when I do think about infatuation, loss, and falling in love. “Carmen San Diego” is about loving someone who doesn’t take you seriously. Someone who is leading you on and can move on just like that. So I call her Carmen San Diego because she is smooth and mysterious like the TV character Carmen Sandiego.
How does songwriting fit into your studies?
Sebastian: The art of storytelling is still something that I trying to get a good grip on. It’s hard! For a TV show, you have to tell a story in half an hour to an hour. In pop songwriting, you have less than 10 minutes. Commitment-wise, it’s hard to do both. Some weeks I’ll write one verse to a song. When I’m not busy doing homework and I’m inspired, I could write three songs in two hours. However, it’s hard to find the time to really work on music. I know it’s there though.
Why did you two decided to team up?
Sebastian: Jake lived in my hallway freshman year and always made videos. I would always help him with his projects. He is good at what he does, so when he reaches out to me for help I trust that he will make both of us look good.
Why a music video?
Sebastian: If you put a filmmaker in a room a musician, what would you expect? I feel like it combines both of our strengths equally.
Jake: I have had this idea for a while, so it fit perfectly for this project in a long take. I loved his song and thought it was perfect for this idea I had.
How did you decide the location?
Sebastian: I have never walked on Kelly Drive and Jake was explaining how the scenery is nice and how there are runners and cyclist there all the time. It seemed appropriate for the concept he envisioned.
Jake: I wanted to pick a location that I have never shot at before, and get off campus. I also needed an area that I could follow some sort of path on, so that way I could concentrate on the shot and follow a walkway. Plus, I thought Kelly Drive would be cool to see the heavy traffic speed by when sped up.
Tuesday, November 6th is a day of decision for this nation and TUTV News will bring you complete, LIVE coverage during America Votes. Temple Update Student Reporters will provide the latest information from polling places in our community and have the full election night story from campaign headquarters across our region. A unique collaboration between two courses in Temple’s Journalism Department, Crossroads and Experimental Journalism, will offer viewers street smart, long form stories and insightful, LIVE interviews from our News Studio.
Join TUTV News on cable–Comcast channel 50, Verizon channel 45– or online and on your mobile devices at 8:30 PM EST on Election Night to get the full story of of how and why America votes.

















